What if Earl Hickey (My Name Is Earl) and his brother Randy visited American Idol, got drunk and rowdy, and got into a fight with the judges (probably Simon.) Would they wind up on America’s Most Wanted? Well, that’s just my vivid imagination running away with me, but I’ve seen a few “rejects” (losers) cop a major ‘tude with the judges, and usually with Simon.

I think it’s just an act for ratings, just like all the trashy headlines about Paula’s drinking problem. Hey remember, this is the FOX network we’re talking about here!

I’m glad to see (and hear) some good singers now. Too many of the “pop tarts” just turned my stomach, so I had to quit watching the show for awhile. When it’s good, I want to stand up and cheer. When it’s bad, I’m almost embarrassed for them.

Posted by Mike

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February 22nd, 2007

My (new & improved) BlogRoll:
ChattyTalk!
CyberCoded
CybersDVD
CybersForum
CybersHardware
CybersMusic
CybersRacing
CybersView
DailyRover
Fans On The Run
Musicians-Blognet
Passion For Fashion
Ramble On
This Crazy Cosmos



February 20th, 2007

The blues are an essential part of music history and touches every genre, be it rock and roll, jazz and even country music. It’s very much a social thing, and KNON Blues Radio is a hub of blues activity in North Texas. The two hour show is on the air five nights a week, from six to eight pm, broadcasting from Dallas.

There’s a different host every weeknight…JMAC on Mondays plays all styles of blues, from the classic years of the early 20’s and 30’s, through country blues and 50’s Chicago, up to today’s contemporary artists. There’s Big Daddy Hal on Tuesdays, Scott on Wednesdays, Ginger on Thursdays, and Don O. on Fridays, KNON’s blues format director since 1983.

KNON-FM is a community radio station run by dedicated volunteers who really love what they do. It’s mostly funded through listener donations. They’re currently in their winter pledge drive and are asking for public donations to keep the station going. The weeknight blues programs are especially important because it’s programmed by each nightly host, giving listeners a wide variety of live and recorded blues. Local and regional musicians drop by the studios on occasion to talk about their live shows and even play a few songs.

It’s the only station in north Texas with this kind of programming, which spans everything from blues, R&B, Talk, Jazz, Country, Gospel, Rock, Latin Energy, Hip-Hop and Reggae. You get a different perspective every night with a different host, each one a musician as much as a DJ, spanning massive personal collections over the past fifty years.

If you’re into the blues, then I encourage you to tune in and support this great community radio station. They’ve been on the air since 1983 as a non-profit, listener-supported station. That’s very unique in today’s entertainment landscape, and totally worth supporting.

KNON 89.3 FM is also online, broadcasting 24 hours a day through the internet, at www.knon.org.

Don O.’s Dallas/Fort Worth Blues Page @ www.geocities.com/bluesdfw

Posted by Mike



February 17th, 2007

The 49th Annual Grammy Awards were more of a disappointment than anything else, but there were a few surprises. The Police only got one song, but how cool was that to hear them play together again, and then announce a world tour this year?

Grammy Lifetime Achievement Awards were given to those artists whose careers influenced the music industry the most. This was the real high point of the show for me; to see some of my favorites honored for their life’s work.

“Keyboardist Booker T. Jones, guitarist Steve Cropper, bassists Donald “Duck” Dunn, Lewis Steinberg, and the wife of late drummer Al Jackson were all on hand to accept the Lifetime Achievement Award for their work as Booker T. & The MG’s. Jones described the feeling of being up on stage to receive the award as “the best day of my life,” while Dunn made a point of thanking the absent Jackson for his musicianship and credited him as “the backbone of the Stax Records sound.” Steinberg revealed that the original title to the MG’s first smash hit, “Green Onions,” was actually “Funky Onions.”Bob Wills’ daughter Caroline Wills accepted the Lifetime Achievement Award on her father’s behalf, commenting that “Music was his life, and anything that made people dance was his interest.”

Ornette Coleman was in the unusual position of being honored with a Lifetime Achievement Award in the same year that his most current album, Sound Grammar, is up for a GRAMMY in the Best Jazz Instrumental Album, Individual Or Group category. Bandmate Charlie Haden said that playing with Coleman was, “The most exciting and rewarding moment of my life.” When Coleman spoke, he grew deeply philosophical, musing about life, death and spirit before concluding that “Music is eternal.”

The Doors’ award was accepted by guitarist Robby Krieger, keyboardist Ray Manzarek’s brother Rick, and singer Jim Morrison’s sister Anne, though drummer John Densmore was present via a video “thank you” during which he played tabla and performed a short selection from Morrison’s poem, “American Prayer.” Krieger thanked his fellow bandmates for allowing him into the band, revealing that “I’d only been playing guitar for three months at the time, but I didn’t tell them that.”

Drummers Bill Kreutzmann and Mickey Hart represented the Grateful Dead, and Kreutzmann made a point of sending out a special thanks to his bandmates, both living and deceased. He’d been under the impression that the Dead were receiving a “Lifetime Pardon” rather than a Lifetime Achievement Award.

Joan Baez closed out the evening with a heartfelt thank you to her fans.”


Winners:

Pop Vocal Album: “Continuum,” and Male Pop Vocal Performance: “Waiting on the World to Change” John Mayer

Pop Instrumental Album: “Fingerprints,” Peter Frampton

Solo Rock Vocal Performance: “Someday Baby,” and Contemporary Folk Americana Album “Modern Times” Bob Dylan

Surround Sound Album: For Donald Fagen’s 2006 solo album
“Morph the Cat,” Darcy Proper, surround mastering.


Rock or Rap Gospel Album: “Turn Around,” Jonny Lang

New Age Album: “Amarantine,” Enya

Contemporary Jazz Album: “The Hidden Land,”
Bela Fleck & the Flecktones

Song Written for Motion Picture, Television or Other Visual Media: “Our Town (From Cars)” Randy Newman & James Taylor

The Dixie Chicks swept the Grammies with Album of the Year “Taking the Long Way,” Record of the Year “Not Ready to Make Nice,” and Song of the Year: Martie Maguire, Natalie Maines, Emily Robison and Dan Wilson.

New Artist: Carrie Underwood

Female R&B Vocal Performance: “Be Without You,” Mary J. Blige

Pop Collaboration With Vocals: “For Once in My Life”
Tony Bennett & Stevie Wonder

Country Album: “Taking the Long Way,” Dixie Chicks

Rock Album: “Stadium Arcadium,” Red Hot Chili Peppers

R&B Album: “The Breakthrough,” Mary J. Blige

Producer of the Year, Non-Classical: Rick Rubin

Traditional Pop Vocal Album: “Duets: An American Classic,”
Tony Bennett

Pop Instrumental Performance: “Mornin’,”
George Benson & Al Jarreau

Traditional R&B Vocal Performance: “God Bless the Child,”
George Benson & Al Jarreau featuring Jill Scott

Traditional Blues Album: “Risin’ With the Blues,” Ike Turner

Long Form Music Video: “Wings for Wheels: The Making of Born to Run,” Bruce Springsteen

Traditional Folk Album: “We Shall Overcome — the Seeger Sessions,” Bruce Springsteen

Reggae Album: “Love Is My Religion,” Ziggy Marley

Source: www.grammy.com/GRAMMY_Awards/News



February 15th, 2007

Snow in Plano, Texas early in the morning on February 2, 2007



February 2nd, 2007
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